New York City: 16—19 apr 2015

"In Fear", c. 1939

AIPAD 2015


The AIPAD Photography Show New York

Daniel Blau is pleased to present “New York Nocturne” at this year’s AIPAD fair. The works on display highlight the rich and wondrously captivating night scenes of New York’s streets and what fertile ground they have provided extraordinary photographers such as Margaret Bourke-White, Weegee, Arthur Rickerby and many others.

Margaret Bourke-White’s 1930s photographs, exhibited for the first time in America, explore New York’s most controversial burlesque venues and their dancers, where Bourke-White achieved an unprecedented proximity to her subjects. In the male-dominated world of early twentieth century photojournalism, American photographer Margaret Bourke-White (1904-1971) was a pioneer. In her extensive and diverse career, she photographed many historic moments. She was the first female war correspondent, the first woman permitted to work in combat zones and the first woman to fly on a bombing mission during the Second World War and the first Western photographer permitted to document Soviet Industry after the revolution. The burlesque photographs show both Bourke-White’s composition as well as her compassion: her warm-tone contact prints reveal a gentler side than is often portrayed through her well-known war photographs.

Arthur “Weegee” Fellig’s approach was seemingly oracular: often arriving at crime-scenes before the police could, his visions of New York’s night-time show the power of immediacy, both through his unparalleled courage and uninhibited nature. Weegee’s remarkable photographs never failed to capture human drama in both joyous and sinister moments.

Furthermore, Daniel Blau is delighted to be the first to show photographs by American photographer Arthur Rickerby taken during the New York Blackout on the 9th of November 1965.

This exhibition of vintage prints brings to you seminal works which show what we now understand to be New York’s enduring nocturnal radiance, charisma and importance as the stage on which life’s dramas unfold.


The AIPAD Photography Show, Booth 400

Opening: April 15, 5 – 9 pm

April 16, 11 – 8.30 pm
April 17 & 18, 11 – 7 pm
April 19, 11 – 6 pm



Maastricht: 13—22 mar 2015


TEFAF 2015

Travel in Photography 1864-1976

We are extremely pleased to invite you to our stand at TEFAF 2015, where we will be exhibiting a selection of 19th and 20th century photographs. After successful exhibitions showcasing works by artists and photographers such as Robert Capa, Margaret Bourke-White and other ‘photojournalists’ working for LIFE magazine, we would like to, once again, direct our focus to the more distant past.

The two possibly most elaborate and costly photographic expeditions of the 19th century – funded by Honoré d’Albert Duc de Luynes – went to the region surrounding the Dead Sea in 1864 and 1866. It is, therefore, with the utmost pleasure that we present to you two rare and likely unique sets of photographs from these journeys. These comprise: one hundred and one images taken by Louis Vignes (1831-1896), and seventy-three images taken by Henri Sauvaire (1831-1896).

Another dreamy excursion into the past is a complete set of pictures taken by Paul Émile Miot, on Tahiti and the Marquesas Islands, between 1869 and 1870. A stunning collection of NASA views of the Moon, Mars and other cosmic destinations will be the final stop on our photographic tour of places distant in time & space.


A special exhibition at TEFAF, stand 433

Opening: March 12, 2015, 12 – 9 pm

Exhibition: March 13 – 22, 11 – 7 pm

MECC, 6229 GV Maastricht, The Netherlands







London: 16 jan—13 feb 2015

Jing Jin City and Miracle Village

Jing Jin City and Miracle Village

Jing Jin City and Miracle Village are new photographic projects by two young contemporary artists, Andi Schmied and Sofia Valiente, which we are thrilled to present concurrently in a unique exhibition in January 2015.

Andi Schmied and Sofia Valiente are both interested in communities and social spaces, but have very individual approaches to documentation and intervention. Andi is concerned with architectural and urban spaces, whereas Sofia’s work depicts human faces and relationships. The artists each spent time living in the places they photographed. These procedural and artistic comparisons are particularly apparent and compelling when the projects are viewed together.

Andi Schmied’s Jing Jin City comprises photographs of Jing Jin, which is situated about an hour’s drive from Beijing. The city is home to a development of 3,000 luxury villas, alongside a Hyatt Regency hotel, golf courses, entertainment complexes and the other usual trappings of a wealthy suburban town. The villas form part of an initiative by the local district government, which envisioned Jing Jin as a “new city” built to embody ideals of environmental sustainability as well as material comfort.

Andi’s project will be presented in dialogue with Sofia Valiente’s Miracle Village. The small community of Miracle Village is located on the outskirts of a rural town in an impoverished area of Palm Beach County, Florida. It is currently home to over 100 sex offenders, who for legislative reasons have been unable to find housing elsewhere. The law obliges offenders to live a minimum distance of at least 1,000 feet from any place where children congregate, such as schools or bus stops. In practice, this is very difficult to comply with, and many of these individuals struggle to find a place to live and to re-establish themselves in society. Miracle Village was developed under Fabrica’s Editorial Area.



Munich: 1—20 dec 2014


X-mas-mix from Araki to Zangaki

This Christmas Daniel Blau Gallerie in Munich is pleased to present a selection of photographs from the gallery’s most important collections.

By setting the scene of variety and juxtaposition as a context, the show culminates in a colourful, affordable and light-hearted exhibition for Christmas.

Works by David Bailey, Ansel Adams, Margaret Bourke-White, and Nobuyoshi Araki are featured alongside astonishing US Army, US Airforce, and NASA prints.

Araki to Zangaki contrasts documentary prints with contemporary colour photographs and illustrates the varied forms and practices of photography. The works by Araki and Bailey highlight the diverse way in which one medium of photography can be used. Diversity is a theme throughout resulting in an interesting portrayal of the human landscape in the 20th and 21st Century.



Paris: 13—16 nov 2014

"Myitkyina, Burma; American-Held Airdrome"


Daniel Blau gallery is delighted to announce two extraordinary collections at Paris Photo 2014.



This exceptional exhibition of 125 vintage prints concentrates on the work of twenty-one LIFE photographers who covered the various campaigns of the Second World War. Included are works by W. Eugene Smith, George Rodger, Robert Capa, Dimitri Kessel, Ralph Morse, and George Silk, among others.



Included in this show are war photographs, rare contact prints, and early works by one of the most celebrated woman photographers of the Twentieth Century. Many of these photographs are being exhibited for the first time since their publication in the 1930s.




London: 31 oct—19 dec 2014

"President Franklin D. Roosevelt's Desk in the White House"

Margaret Bourke-White

Daniel Blau is pleased to present the first solo exhibition of  Margaret Bourke-White’s work at our London gallery.

Featuring a selection of over sixty vintage photographs, our Bourke-White exhibition presents contrasting facets of the photographer’s work, including incredible images of the Second World War in North Africa and Italy shown alongside previously unseen and lesser-known photographs of burlesque dancers backstage.


Munich: 3 oct—1 nov 2014

"King´s beer (Küchenbild)"

Christa Dichgans

Galerie Daniel Blau is delighted to announce the opening of an exhibition of paintings by the German artist, Christa Dichgans. Included will be rare paintings from the 1960s and 70s, many of which are being shown for the first time.

The early paintings were made after the artist studied in Berlin under the painter Fred Thieler. It was after the birth of her son in 1963 that she began to make still-life paintings of toys. She says, “It was like a small-format reality in concentrated form.”

It was during her stay in New York that she started responding to Pop, the new fashion aesthetic. The exhibition will feature Dichgans’s iconic sausage paintings, and the weapon still-life paintings made during her stay in New York, Rome, and Florence.

Dichgans has had several solo exhibitions worldwide including those in Berlin, New York, Buenos Aires, Paris, Venice, Zurich, and Moscow. Following the exhibition at Daniel Blau, a selection of her work will be included in the long-awaited “German Pop” exhibition at Schirn Frankfurt, in November, 2014.

Christa Dichgans was born 1940 in Berlin. She studied from 1960-65 at the Berlin Academy of Arts under Fred Thieler. She received a scholarship from the German National Academic Foundation in 1966 and moved to New York for a year. Dichgans worked as Georg Baselitz’s assistant from 1984 to 1988. She currently lives and works in Berlin and La Haute Carpénée in southern France.


: 19—19 oct 2014

Andy Warhol Artwork © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York Courtesy: Daniel Blau Munich/London

PAD 2014

Daniel Blau is delighted to announce the gallery’s participation at PAD this year.

We will present an exhibition of important Warhol drawings from the 1950s, as well as late paintings.

Discovered in the Warhol estate, the drawings were made at a time when he was resolutely searching for his own voice, and give us a rare insight in to this formative period of his work.

Also included in the exhibition will be two late abstract paintings, as well as a group of the “GE Steak” paintings from the “Ads” series.


London: 19 sep—25 oct 2014

Henry Herr Gill, ”Thai Troops“, 1979

Other Portraits

Daniel Blau gallery is delighted to announce the opening of the forthcoming exhibition, ‘Other Portraits’; a selection of portraits and self-portraits by twenty-two of some of the most significant and celebrated photographers of the twentieth century.

Included are distinctive photographs by Margaret Bourke-White, Cecil Beaton, Walker Evans, Hugo Adolf Bernatzik, Nobuyoshi Araki, Tina Modotti, Arnold Newman and others. Gandhi, Roosevelt, and Mao Tse Tung are seen alongside portraits of Andy Warhol, Federico Fellini, as well as Nuba tribes people from Sudan.

‘Other Portraits’ represents an ideosyncatic look at portraiture. The photographs range from the subtle and intimate portrait of “Bernice Abbott” by Walker Evans, to the bold, curious images of “Willem de Kooning” by Arnold Newman. The exhibition is an invitation to explore the essence of each, from a reflective Churchill by Larry Burrows, to the steady eyes of Bourke-White’s self-portrait.

A fascinating dialogue exists between the person in front of the camera and the one behind. Not only do we see the subject portrayed in the photograph, but the photographer is revealed too.


Munich: 4 jul—27 sep 2014

Nyt Laeso-hoved


Per Kirkeby (*1938) is a Danish painter, sculptor and writer. He is also a geologist and natural scientist. As a student, he conducted geological fieldwork in the glacial northern frontier of Greenland where he studied rock formations and sketched the landscape during his free time. This empirical background has made a profound impact on Kirkeby’s artistic work and his pieces are often informed by his understanding of geological processes.

Kirkeby began creating sculpted plaster forms cast in bronze during the 1980s, mostly working outdoors during the summer on the remote Danish island of Laeso, which was once home to many major nineteenth century Danish landscape painters. Kirkeby’s bronzes appear to be chunks of hardened black lava, etched with seemingly endless valleys and creases. These rare pieces are highly expressive and possess a poetic, dramatic character.

Opening: July 3, 6-8pm

Exhibition: July 4 – September 27, 2014

Please note that the gallery is closed during the month of August

Download our Kirkeby press release here

Basel, Switzerland: 19—22 jun 2014

"Untitled (Concrete Sculpture)"

Art Basel 2014

We are delighted to present an exhibition of rare sculptures, collages and drawings by Andy Warhol at Art Basel 2014.

Our exhibition includes one of Warhol’s largest cement sculptures – a cardboard box filled with cement in which the artist has left his handprint and signature.

We will also show Warhol’s sculpture “You’re In” – Coke bottles spray-painted silver. This was his contribution to the 1967 Museum of Merchandise exhibition in Philadelphia. The Coca Cola company soon forbid Warhol to sell the bottles as they were a Coca Cola product. So Warhol instead sold the “Silver Lining” perfume bottles and gave a silver Coke bottle to the purchaser for free. It is extremely rare to find Warhol’s silver Coke bottles and the original perfume bottles together. We will show three sets.

The exhibition will additionally feature a set of folding screens produced by Warhol after a visit to Asia in 1956, as well as a selection of recently discovered drawings and collages that offer us incredible insight into the early career of the one of the 20th century’s most important artists.

Art Basel 2014
Ground Floor, Booth D3
Basel, Switzerland

Opening: Tuesday 17th and Wednesday 18th June (by invitation)
Exhibition: Thursday 19th – Sunday 22nd June

Download our Art Basel 2014 press release

London: 5—31 jul 2014

5 under 30

5 UNDER 30

Daniel Blau is pleased to announce the five winners of the gallery’s second annual Young Photographers’ Competition:

Matan Ashkenazy
Oliver Eglin
Daewoong Kim
Ruidi Mu
Sofia Valiente

We are delighted to present a selection of work by these talented photographers in a group exhibition here in London this July.

Please join us for the opening on Friday 4th July from 6 – 8 pm!

Download the 5 UNDER 30 exhibition press release here

Visit our 5 UNDER 30 competition website!

31 Mar 2014

Capa in the FT crop

Our Capa Exhibition is Critics’ Choice in FT Weekend 29/30 March

London: 4 apr—10 may 2014

"Doesn't Mind the Heat, Somewhere in France (Saint-Sauveur-Le-Vicomte)"


Europe 1943–1945
A Collection of Vintage Prints

Robert Capa is the Twentieth Century’s most celebrated war photographer.

Reporting from five horrific theatres of war – the Spanish Civil War, the Second Sino-Japanese War, World War II in Europe, the 1948 Arab-Israeli War, and the First Indochina War – Capa’s enduring legacy is an extraordinary body of ‘concerned photography’ – deeply felt pictures documenting the human condition.

This exhibition comprises rare vintage Capa prints from the period 1943 to 1945. Many are exhibited here for the first time, and some are newly recognised as his.

In 1942, Capa was a war correspondent accompanying American forces on their push from North Africa into Italy. He was in Sicily in July – August 1943, and Naples in early October 1943, and went on to photograph the European Theatre more widely, including London, Normandy and the liberation of Paris.

He was part of the second wave of US troops to land on Omaha beach in 1944, where in the first couple of hours of the invasion he famously shot 106 pictures on the two Contax II cameras he carried, of which only 11 photographs survived.

Rooted in social documentary, Capa’s work was made at the heart of the matter. He was instinctive, audacious, brave, cavalier, even reckless, saying: “if your photographs aren’t good enough, you’re not close enough”.

Opening: Thursday, April 3, 6 – 8 pm
Exhibition: April 4 – May 10, 2014

Download our CAPA press release here

Los Angeles: 25—27 apr 2014

Uncharted - Al Pacino

Paris Photo LA 2014

At the 2014 Paris Photo art fair in Los Angeles, we will present Bailey’s new series “Uncharted”. This series of unique “torn” silver prints features some of Bailey’s most famous portraits of celebrities such as Andy Warhol, David Hockney, Mick Jagger and Jack Nicholson. 

In the age of digital imaging, where the photograph is reduced to a series of pixels, Bailey’s tearing emphasises the tactile nature of his works, rendering them highly personal. Despite the prevalence and convenience of digital photography, where millions of photographs are taken, deleted, and altered every second, Bailey defends his continued preference for working with film:

“The problem with digital imaging is that there’s no accident. I don’t know what’s going to come back, it’s kind of if I make a mistake it’s part of the creation in a way because the only way you can get creative is by making mistakes. With digital there’s no mistake, everything’s perfect.”

Viewed against the backdrop of the contemporary digital age, these prints become symbolic of Bailey’s conscious re-assertion of control over the photographic medium. Their value ultimately lies in their uniqueness, for, unlike the endlessly duplicated digital image, no two torn photographs will ever be identical. Our exhibition will also include a number of rare large-format platinum prints.

Paris Photo Los Angeles Paramount Pictures Studios

5555 Melrose Avenue, Los Angeles, CA 90038

Opening: April 24, 3–9 pm
Exhibition: April 25–27, 12–7 pm, 2014