Spring & Walk 2024 “Jensen – Penck. Geometrie und Theorie in Farbe und Form”
Alfred Jensen – A.R.Penck. Geometrie und Theorie in Farbe und Form

Die diesjährige Frühjahrsausstellung von DANIEL BLAU präsentiert zwei Werkkomplexe der renommierten Künstler Alfred Jensen (1903 – 1981) und A.R. Penck (1939 – 2017). Beide sind bekannt für ihr abstraktes Kunstschaffen, das komplexe Konzepte und gesellschaftliche sowie philosophische Ideen vereint.
 
Klare Linienführung und starke grafische Präsenz prägen ihre Werke ebenso, wie ihre kraftvolle Bildsprache. Sie erzeugen sowohl emotionale, wie intellektuelle Resonanz.
 
Alfred Jensen, bekannt für seine abstrakten, geometrischen Werke beschäftigte sich intensiv mit mathematischen Theorien, Zahlensystemen oder Kalender-Konzepten, u.a. dem Maya-Kalender. Seine Bilder sind durchdachte Darstellungen von kosmischen Ordnungen und philosophischen Ideen, und zeigen auch seine Auseinandersetzung mit der Farbenlehre Johann Wolfgangs von Goethe auf. Intellektuelle Erforschung und Komplexität treffen auf farbintensive geometrische Formen. Eine Auswahl von pastosen Gemälden und Malereien auf Papier soll einen Überblick über das Schaffen eines der bedeutendsten Vertreter des US-amerikanischen Abstrakten Expressionismus zeigen.
 
A.R. Pencks acht-teilige Tusche-Zeichnungen „Serie E“ demonstrieren seine Vielseitigkeit in der künstlerischen Ausdrucksform. Die Serie entstand im Jahr 1969 und zeichnet sich durch ihre abstrakten und grafischen Elemente sowie der Farbwahl aus. Penck verwendet in dieser Serie oft einfache Formen, wie Kreise, Quadrate und Dreiecke. Der Buchstabe „E“ stand für Penck für Existenz und Einheit. In ihrer abstrakten Art bilden die Zeichnungen diese Symbolik ebenso ab. Bei genauerer Betrachtung sind alle Zeichnungen durch eine Zäsur in der Mitte des Blattes geteilt. So drückte Penck die Spannung zwischen Kunst und Gesellschaft aus. Auch die Beschäftigung mit politischen Realitäten seiner Zeit, wie der Teilung Deutschlands ist immer wieder Gegenstand seiner Werke.
 
Die Ausstellung präsentiert Werke der beiden Künstler und ihre einzigartigen Stile und stellt sie in einen faszinierenden Dialog, zwischen Farbe und Form, Geometrie und Theorie.
 

 
DANIEL BLAU’s spring exhibition this year presents two sets of works by the renowned artists Alfred Jensen (1903 – 1981) and A.R. Penck (1939 – 2017). Both are known for their abstract pieces which combine complex concepts and social-philosophical ideas.
 
Clear line strokes and strong graphic presence shape their work as much as their powerful visual language. They resonate emotionally as well as intellectually.
 
Alfred Jensen, known for his abstract, geometrical works, was focused intensively on mathematical theories, counting systems or calendar concepts – for example, the Mayan calendar. His pictures are considered representations of strange orders and philosophical ideas, and also exhibit his examination of Johann Wolfgang von Goethe’s teachings on color theory. Intellectual exploration and complexity meet vividly colorful geometrical forms. A selection of paintings in oil and on paper provide an overview of the works of one of the most significant agents of American Abstract Expressionism.
 
A.R. Penck’s ‚Serie E‘ – a series of eight ink drawings – demonstrate his versatility in artistic expression. The series was made in 1969 and is characterized by its abstract and graphical elements as well as its color palette. In this series, Penck often used simple forms such as circles, squares and triangles. The letter ‚E‘ stands, for the artist, for ‚Existenz und Einheit‘ or existence and unity. Equally, the pictures deconstruct this symbolism through their abstraction. Upon closer inspection, all of the drawings are divided through the middle of the page by a central caesura, used by Penck to express the tension between art and society. His occupation with the political realities of his time, such as the division of Germany, is also a recurring subject in his works.
 
The exhibition presents works by both artists and their respective stiles, placing them in a fascinating dialogue: between color and form, geometry and theory.

 
 
 
Exhibition Dates:

 

Spring & Walk

 
April 13, 2024
presented by Initiative Münchner Galerien zeitgenössischer Kunst
 
11am – 6pm | mon – fri
Maximilianstraße 26, 80539 München

 
 

SPECIAL GUIDED TOUR 5:

Saturday, April 13, 2024
 
Meeting point:
from 3pm at Daniel Blau, Maximilianstr. 26
 
Tickets:
from the guide
 
Duration:
approx. 2 hours
 
Costs:
15,- € per person
 
Registration required:
info@muenchner-galerien.de
Tel. +49 (0) 89 288 08 509
 
Find more information about guided tours here
 

 

 
 

Alfred Jensen (1903-1981), "Sun is the Hidden Number", 1965
Alfred Jensen (1903-1981),
“Sun is the Hidden Number”, 1965,
gouache on paper cotton board,
127,0 x 101,6 cm, © Alfred Jensen, courtesy Daniel Blau, Munich
Hooks Deluxe

~ Hooks Deluxe ~

 

Fish Hooks of the Pacific Islands deluxe box set

15 copies only!
 
The handmade slipcase contains:

  • Vol I and II of Fish Hooks of the Pacific Islands (each embossed linen hard cover with dust jacket)
  • a handmade, by master bookbinder Gisela Benfer of Munich, embossed clam shell case
  • a wearable solid silver New Zealand Hei Matau made after the original by renowned jeweler Otto Jakob
  • an adjustable hat with fish hook logo made on Maui in Hawai’i
  • a vintage 1936 map of the Pacific (80 x 99 cm)
  • a poster (58 x 42 cm) illustrating 28 fish hooks in their true size
  •  
    The edition is limited to 15 signed copies, numbered I-XV/XV
    Price: 1900 € (excl. shipping & VAT)

    Please order your copy, on a first come first serve basis here

     
    ORDER NOW

     

    ANDY WARHOL – THREE TIMES OUT

    ANDY WARHOL Three Times Out


    We are delighted to say that 29 drawings by Andy Warhol from DANIEL BLAU are being shown at the Hugh Lane Gallery, Dublin, as part of the new exhibition, “Andy Warhol: Three Times Out”.
     
    Featuring over 250 works borrowed from museums and collections in the USA, Canada, Europe, and the Warhol Museum in Pittsburgh, this exhibition sheds light on the artist’s extraordinary approach to the relationships between fine art, consumerism, and popular culture.
     
    The exhibition is now open; tickets are on sale via this link:  Buy tickets  


     
    Hugh Lane Gallery
    Charlemont House
    Parnell Square North
    Dublin 1
    D01 F2X9
    Ireland

    exhibition dates:
    06 October, 2023 – 28 January, 2024

    Opening hours:
    Mon Closed
    Tues to Thurs 9:45 am – 6:00 pm
    Fri 9:45 am – 5:00 pm
    Sat 10:00 am – 5:00 pm
    Sun 11:00 am – 5:00 pm
     

    Visit Website

    Images by Denis Mortell Photography


    35. OPEN ART – DANIEL BLAU presenting Daido Moriyama
    Daido Moriyama
    DANIEL BLAU, is pleased to present for the first time in this new Open Art Edition, an exceptional exhibition of 23 paintings by the famous Japanese artist Daido Moriyama.
     
    A few words about Daido Moriyama:
    Born in 1938 in Osaka, Japan, Moriyama has significantly changed the way we see photography over the course of his 60-year career. With his camera, he has not only documented his immediate surroundings and artistically analyzed the society of post-war Japan, USA, but also questioned the photographic medium itself. His unmistakable visual language is just as legendary as his numerous publications, which play a central role in his work.
     
    Moriyama’s diverse oeuvre, very much focused on strong contrasts and inspired by Andy Warhol, comprises above all traditional photographs, installations and silkscreen prints. Between 1968 and 1972, Moriyama created works of great density. His talent was enhanced by the cultural pulse of the time. Photography was omnipresent, in the press and in advertising.
     
    With the themes of mass media, consumer society and everyday life, the 2023 works in gold bronze and black are based on early photographs Moriyama took in New York City in 1971 and reused here on canvas. Through his images, he creates a kind of “multifaceted reality”.
     
    Why this fascination with New York? A quote from Moriyama explains it best:
    “My favorite city: New York. I have no doubt that I like it even more than Tokyo. Somewhere hidden in it is a strange kindness and sadness. Sometimes when I want to remember the person I love, I think of the lights of New York. Since I’m afraid to travel by plane, it’s a great pity that even if I wanted to, I can’t just fly there right now”.
     
    During his visit to New York City in 1971, Moriyama manipulated his 35mm camera in such a way that each negative image could take two single exposures half its size. The larger and fuzzier graininess of the resulting image is part of the desired pictorial effect.
     
    The images in the exhibition are not simple reproductions of one or the other photograph: under the motto grainy, blurred out of focus (are, bure and boke), Moriyama has combined the successive negatives, one on top of the other, to form a single image and joined them together on a common, vertical, canvas.
     

     
    Exhibition Dates:

     

    35. Open Art:

     
    September 8 – 10, 2023
    presented by Initiative Münchner Galerien zeitgenössischer Kunst
     
    11am – 6pm | mon – fri
    Maximilianstraße 26, 80539 München

     
     

    SPECIAL GUIDED TOUR:

    Saturday 8th, 2023
     
    Meeting point:
    from 3pm at Daniel Blau, Maximilianstr. 26
     
    Tickets:
    from the guide
     
    Duration:
    approx. 2 hours
     
    Costs:
    15,- € per person, pupils and students 10,- €
    Children up to 14 years free
     
    Registration required:
    info@muenchner-galerien.de
    Tel. +49 (0) 89 288 08 509
     
    Find more information about guided tours here
     

     

     
     


    Sofia Valiente – Foreverglades
    DANIEL BLAU is thrilled to present Foreverglades – a major project by interdisciplinary artist Sofia Valiente. This project brings stories of the Glades and Florida’s pioneer history to new light through a series of contemporary photographs and published in a unique photobook.
     
    Originally settled in 1925, the fertile Belle Glade region is a major agricultural center and played an often-overlooked role in the development of South Florida. The geography, folklore and cultural expression of the American frontier are most often associated with the West. With Foreverglades, Valiente draws our attention to a watery, verdant Southern frontier and the pioneer spirit that made an uninhabitable land home. ‘We were never meant to live in Florida’ says Valiente. ‘It was said they were buying land by the gallon!’
     
    Valiente’s artistic work is driven and distinguished by lengthy periods of rigorous field research in which she lives within the communities she photographs. She has a remarkable ability to forge relationships across differences, building trust and producing intimate, moving portraits of people and the places they live in. She has resided in the Belle Glade area for five years and Foreverglades has emerged from this period of personal experience and research.
     
    Valiente’s vibrant photographs are sensitively interwoven with the pages of a local history book, ‘Swamp to Sugar Bowl: Pioneer Days in Belle Glade’.
    This 1968 book by Lawrence E. Will considers the history of the region from the late 19th century to the 1960s. By embedding her pictures within this existing text the artist posits history as an unfolding story and highlights enduring cultural traditions – such as the Harvest Queen beauty pageant that started in the 1940s and continues to this day.
     
    The talents and interests that informed Foreverglades were already notable in 2014, when Valiente became one of the winners of our 5 Under 30 competition for young photographers with her project Miracle Village. Miracle Village saw the artist living among registered sex offenders in a rural Florida community, getting to know them and producing a body of photographs and a publication that incorporates handwritten testimonies from the residents.
     
    We were honored to exhibit Miracle Village in 2014, and 2015 and she went on to receive the World Press Photo award for this project in 2015, among other prizes and fellowships. Foreverglades was awarded a prestigious Knight Arts Challenge Grant of $75,000 to support its production.
    The conceptually and aesthetically rich Foreverglades book will inspire reflection beyond their specific South Florida context. This is an important artwork by an artist whose open mindedness and anthropological approach to artmarking are deeply impressive.
     
    Carrie Foulkes, 2020
     
     
    The book Foreverglades by Sofia Valiente
    The book Foreverglades by Sofia Valiente
    3 Under 30

    3 under 30

    Daniel Blau is pleased to announce the winners of 3 Under 30, the gallery’s competition for young photographers.

     

    • Jimmy Chin Kiu Lee
    • Sarah Louise Lordan
    • Manon Martsch

     

    The gallery received numerous submissions from emerging artists around the world. The winning photographers were selected based on the strengths of their portfolio and accompanying statement.

    We will present a selection of works by these talented photographers at a group exhibition in Paris during Photo Saint Germain November 2021.

    We wish to congratulate these photographers and we look forward to working with them on the Paris project.
     
     

    Jimmy Chin Kiu Lee (*1993) is a University lecturer, doctoral researcher, visual art practitioner and documentary photographer. He was born and raised in Hong Kong and started his photographic practice in a Hong Kong-based newspaper before completing an MFA in the UK and beginning his doctorate. Over the past few years, Lee has been researching the ideology of those from Hong Kong, who live with cultural references from both China and the UK embedded in their society. His project In Search of Nirvana is a series of vivid photographs made in western China, including pictures evoking ‘continuous roads that run through the barren land, plastic flowers in freezing winter, the concept of patriotism, the nuclear-weapon project…’ and representing the artist’s attempt to explore his uncertain connection with Chinese culture.

     

    Jimmy Chin Kiu Lee – Website

     

    Jimmy Chin Kiu Lee, "Four Girls", 2017, color pigment print on Hahnemühle Photo Rag Pearl, 20,3 (24,0) x 25,5 (30,0) cm
    Jimmy Chin Kiu Lee, “Four Girls”, 2017, color pigment prints on Hahnemühle Photo Rag Pearl, 20,3 (24,0) x 25,5 (30,0) cm, © Jimmy Chin Kiu Lee, courtesy Daniel Blau, Munich
     


     

    Sarah Louise Lordan (*1997) is a visual artist based in Ireland. A recent graduate from IADT in Dun Laoghaire, Lordan works predominantly with photography, creating thought-provoking and conceptual artworks. Her project Come As You Are consists of black and white portraits. These are close-ups of a single subject, her face filling two thirds of the frame and portraying a range of facial expressions, suggesting a range of emotional states, from rage to defiance to vulnerability, concern and surrender. Lit from above, the contrast and detail of the images are striking. For Lordan, art-making is a method of processing conflict within herself and the world around her. The artist states that her work ‘captures a cycle of thoughts and emotions that women go through when experiencing some sort of mental trigger.’

     

    Sarah Louise Lordan – Website

     

    Sarah Louise Lordan, "Not Mad, Just Disappointed #3", April 2021, digital archival pigment print, 29,7 x 21,0 cm, © Sarah Louise Lordan, courtesy Daniel Blau, Munich
    Sarah Louise Lordan, “Not Mad, Just Disappointed #3”, April 2021, digital archival pigment print, 29,7 x 21,0 cm, © Sarah Louise Lordan, courtesy Daniel Blau, Munich

     


     

    Manon Martsch (*1999) is a German artist currently based in France. She works with painting and photography and her project Blau Und Starr is formed of a series of cyanotype prints. Her photographic work displays a painterly sensitivity to line, texture and composition and is concerned with questions of rigidity and movement in the image. She says: ‘a form only becomes dynamic in relation to the environment’. Her cyanotypes vary in content, from the architectural – the angular lines of walls and windows, the curve of a building against a cloudy sky, the glow of sunlight on the facade of a residential block – to more abstract works featuring fragmented human forms and silhouettes.
     

    Manon Martsch, "L'Einsichten in Aussichten", 2021, cyanotype, 19,9 x 16,3 cm
    Manon Martsch, “Einsichten in Aussichten”, 2021, cyanotype, 19,9 x 16,3 cm, © Manon Martsch, courtesy Daniel Blau, Munich
    3under30

    DANIEL BLAU | Photo Competition “3 under 30“ until June 14th 2021

     
    Open Call for Entries extended until July 1st, 2021
     
    Following on the success of last year’s 3 Under 30 competition, which attracted numerous submissions from artists around the world. DANIEL BLAU is pleased to announce the return of this prestigious competition for young photographers.This is a unique opportunity to gain recognition through an internationally renowned gallery.Three photographers will be selected based on the strengths of a submitted portfolio and accompanying statement.
     
    The three winners will be exhibited in a group show organised and publicised by DANIEL BLAU.
     
    The exhibition will take place in Paris in November 2021 as part of the Photo-St-Germain festival.The competition is open to submissions from May 1st – June 14th, 2021.
     
    Applicants will complete a short application followed by a postal submission of photographs.
     
    All photographers aged 29 and under on the competition closing date of June 14th, 2021are eligible to apply.

     
    The winners will be announced on August 15th, 2021.
     
    Submission Form


    Photo Saint Germain 2021

    3 under 30

    Daniel Blau is pleased to show the three winners of 3 Under 30, the gallery’s competition for young photographers, at Galerie Meyer in Paris.

     

    Galerie Meyer
    17, rue des Beaux Arts
    75006 Paris

     

    VIP Opening:
    Thursday, January 7, 2021
    11 am – 7pm
     
    Public Exhibition:
    January 7 – 23, 2021 !! extended until January 30th, 2021 !!
     
    Opening Hours:
    Tuesday to Friday
    2.30 pm – 6 pm
     
    Saturday
    11 am – 1 pm,
    2.30 pm – 7 pm
     
     
    Please Respect the Health Precautions and Social Distancing
    Galerie Meyer reserves the right to limit the occupancy in accordance with Government Health Regulations

     
     

    ANDY WARHOL EXHIBITS a glittering alternative

    ANDY WARHOL EXHIBITS

    a glittering alternative


    Museum moderner Kunst Stiftung Ludwig Wien
    MuseumsQuartier
    Museumsplatz 1
    1070 Wien

    exhibition dates:
    September 25, 2020 – May 30, 2021

     

    Visit Website

    image: After Andy Warhol
    Facsimile of Silver Clouds created by Andy Warhol in 1966, Refabricated by the Andy Warhol Museum, © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Bildrecht, Wien, 2020
    Art Direction: Studio VIE, Photo: Daniela Tros



    3 Under 30

    3 under 30

    Daniel Blau is pleased to announce the three winners of 3 Under 30, the gallery’s competition for young photographers.

     

    • Joseph Glover
    • Maite de Orbe
    • Lucile Soussan

     
    The gallery received numerous submissions from emerging artists around the world. The winning photographers were selected based on the strengths of their portfolio and accompanying statement.

    We will present a selection of works by these talented photographers at a group exhibition in Paris during Photo Saint Germain January 2021.

    We wish to congratulate these photographers and we look forward to working with them on the Paris project.
     
     
     

    Joseph Glover (*1993) graduated from the Edinburgh College of Art BA (Hons) Photography course and will begin an MA in photography at Massachusetts College of Art and Design this year.
     
    He uses analogue and digital techniques in works that explore themes of the self, place, society, time and philosophy. Joseph’s project ‘Palm, 269’ is a series of pictures of a neighbouring palm tree.
    His documenting of a particular place over time is made powerful by repetition, bringing to mind An Attempt at Exhausting a Place in Paris by Georges Perec.
     
    Joseph Glover – Website
     
    Joseph Glover, "Palm,269", 2020, Digital PhotoRag Baryta Print, 33,8 x 25,4 cm
    Joseph Glover, “Palm, 269”, 2020, PhotoRag Baryta digital print, 33,8 x 25,4 cm,
    © Joseph Glover, courtesy Daniel Blau, Munich
     


     
    Maite de Orbe (*1997) works with photography, etching, video and writing to create multilayered compositions.
     
    Her work ‘I took this polaroid of an angel once’ consists of hand printed silver gelatin photographs of the human form. She skillfully captures the gestures of shadow and light on skin in compositions that present beautiful fragments of bodies – fanned fingers, clenched toes, a chest, an arm, a back.
    Maite graduated with BA (Hons) Photography at UAL and her work has been exhibited in London, York and Madrid.
     
    Maite de Orbe – Website
     
    Maite de Orbe, "Or a mandarine", 2019/20, silver gelatin photographs printed by hand, 25,3 x 17,0 cm, © Maite de Orbe, courtesy Daniel Blau, Munich
    Maite de Orbe, “Or a mandarine”, 2019/20, silver gelatin photographs printed by hand, 25,3 x 17,0 cm,
    © Maite de Orbe, courtesy Daniel Blau, Munich
     


     
    Lucile Soussan (*1990) is currently a student at the École des beaux-arts de Paris in Éric Poitevin’s atelier.
     
    She describes herself as a ‘hunter-gatherer of images’. Her practice combines photography and printmaking and is strongly influenced by Japanese contemporary photographers.
    Lucile’s project ‘L’Oeuf du Monde’ comprises nine hand printed photo etchings. These evocative images were gleaned from a coastal forest in Japan, where the fleshy bristling body of a sea urchin – ‘the egg of the world’ – was spotted in a nest of stone.
     
    Lucile Soussan – Instagram
     
    Lucile Soussan, "L'Oeuf du Monde", 2020, series of nine photo etchings handprinted on Zerkall paper with two layers of intaglio inks puretch photopolymer film applied on copper plate, isolated and etched in an iron perchloride batch, tile A, 19,2 x 25,8 cm, edition 1/3
    Lucile Soussan, “L’Oeuf du Monde”, 2020, series of nine photo etchings handprinted on Zerkall paper with two layers of intaglio inks puretch photopolymer film applied on copper plate, isolated and etched in an iron perchloride bath, tile A, 19,2 x 25,8 cm, edition 1/3, © Lucile Soussan, courtesy Daniel Blau, Munich